Today we’d like to introduce you to Malcom Potek.
Hi Malcolm, we’re thrilled to have a chance to learn your story today. So, before we get into specifics, maybe you can briefly walk us through how you got to where you are today?
My work began some 28 years ago in the spirit of self-determination. At an early age, I was purposeful to be passionate about the work I did in the world. Inspired by the rebelliousness of punk rock’s will to power and the diversity of voices that teach, “Our goal should be to live life in radical amazement “* The objects that determined me were found initially in the shape of an income and hand-crafted production work. Fast forward to 1999. With our first child turning 1, my wife and I moved to Northeast Minneapolis. Housing prices were fair, and we found space to grow our art business out of our garage. In the subsequent years, we would grow out of that tiny garage into available warehouse space 3 blocks away, and finally, as partners in an artist-owned building, the Flux Arts Building at 2505 Howard St. NE. My wife continues to work as a painter, illustrator, and Minneapolis Public School teacher. In addition to making beautiful home goods, lighting and gifts, my work has turned to create valued artwork in public settings, home commissions, and a strong desire to educate those with a taste for making things. I currently teach Stained glass, kiln forming, and torchwork, both locally and nationally. As an artist, I strive to reveal the value in the work of Art. To make the inner struggle of the mind to create an idea and the body to construct a form visible.
Malcolm Potek and Kara van Wyk continue to work and live in Northeast Minneapolis.
Alright, so let’s dig a little deeper into the story – has it been an easy path overall, and if not, what were the challenges you’ve had to overcome?
As an artist, it has always been important that I create as part of my working life. Until 2008 I sold my work in galleries and art fairs. Working art fairs is a little like farming. Dependent on the weather and the economy. Not always easy, I transitioned in 2009 to producing community art and commissioned-based work. The working life of an artist is, for me, like riding a financial rollercoaster. The ups and downs keep the business in constant motion. The need to pivot, be creative in the market, and provide classes has kept the business thriving.
Thanks – so what else should our readers know about your work and what you’re currently focused on?
I am a glass artist. The technique that I specialize in is work produced in the kiln. With a special love of working with clients to produce meaningful pieces, I gravitate toward public Art. The shop’s mission is generally to make beautiful things and expose people to the rewards of personal creation. I often work with schools and other institutions to realize the creative potential of individuals and the group’s values. I am especially good at working with clients to find their vision. Recently I have added stained glass repairs, supplies, and classes to my list of work options.
Any advice for finding a mentor or networking in general?
Explore your field. Find artists whose work you admire and work for them, take classes, and practice. The best advice I received is to be kind, helpful, and to tell your truth. Solve problems, and people will gravitate toward you.
Pricing:
- Serve your customers
- Do not undervalue your talents
Contact Info:
- Website: www.potekglass.com
- Instagram:@potek_glass
- Facebook: Potekglass
Image Credits
All photos taken by Malcom Potek.
